> Pete Llewellyn asks why we are discussing Welles in a Salinger > discussion group. I agree that the subject of Hearst (not Welles) is > exhausted - my contribution on Marian Davies was there to correct an > error. I would hope, however, that there is room for parallel > discussion, whether on Balzac or Welles. Those Glass freres would see > the point of this, I think. In fact, I had thought about getting a > discussion going regarding young Antoine Doinel, Truffaut's > autobiographical boy hero of The 400 Blows (with his shrine to Balzac, > and what seems to me to be his somewhat Holden-like reasonable > maladjustment.) Is this good-natured and reasonable maladjustment a > 20th century phenomenon (Huck notwithstanding)? Did it only arrive > with the concept of "teenage"? Are Holden and Antoine voicing what all > adolescents (and many adults) think and feel (though most have > themselves firmly under control) Are they archetypes, or are they > individuals who are severely out-of-step? > > > > >