I already wrote a response to this but I think it got lost in my current email malaise. So here's turn #2 ... Cecilia Baader wrote: >> I've thought about the question of Salinger's true attitude to suicide or just plain death quite a bit, even more after I trekked out to the library and found _Hapworth_. I found Seymour's letter to his parents very Teddy-like. Like Teddy, he calmly predicts and accept his early death, worried only about the reaction of his family to it. It left me a little annoyed, frankly. << A similar thing occured to me recently when I decided, seeing it was Easter, to read the interpretations of the death of Jesus in the four different gospels. It made me feel the same way when Matthew and John seemed to portray Jesus as saying or doing certain things *specifically* so that certain prophecies and scriptures would come true. Obviously, His death was preordained, but somehow it seemed to rob the whole thing of a certain humanity; He just seemed to be going through the motions, whereas in Mark's gospel you can feel His torment when He says `Oh God why have you forsaken me?'. I think you're reacting to a similar thing in Teddy and Seymour. Seymour's suicide is enacted with all the coolness and calmness of taking a train ride, there's no anguish in his decision. Perhaps this is why it is in some ways hard to mourn for him. You could even argue that the Glasses miss the *idea* of Seymour more than they miss Seymour himself. (hey there's an idea - is Seymour just an idea? Like the nonexistent son in `Who's Afraid of Virginia Woolf?'). If Salinger is implying that Seymour and Teddy are on a spiritual and therefore prescient par with Jesus - well, that's pretty high ground to take (: P.S. Cecilia, it's a sin that this is your first post! I wanna hear more! (: Camille ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com