'....I'd like to think he would try to get away from the trap
of writing things down as they happened to him ....'
It is interesting, isn't it? When it comes down to it, all a writer
has in the way of raw materials, the substances of his craft,
are the memory traces from his own life. Yet the most vivid
writers - those who give the strongest impression of writing
'autobiographically' - have often been those who, working
on the reports of others were able with their imagination to
adapt their own experiences & assemble them into an even
more 'real-feeling' reality than was available to those participating
in the 'original' events.
I'm thinking, of course, of my old obsession Ernie H. who,
having spent only a day or two at the actual front reconstructed
one of his great masterpieces, the retreat from Caporetto,
by borrowing the second-hand accounts of those who had
actually been there, plus news reports, plus geographical studies
of the terrain, plus his own memories of lying in an ambulance
with a macerated knee. So that people who - unlike him -
HAD been there were, after reading his stuff, compelled to say:
'THAT's the way it was....'
Scottie B.
-
* Unsubscribing? Mail majordomo@roughdraft.org with the message
* UNSUBSCRIBE BANANAFISH
Received on Wed Aug 21 14:33:31 2002
This archive was generated by hypermail 2.1.8 : Sun Aug 10 2003 - 20:48:47 EDT