Upon thinking about our recent discussion re: the literal, figurative, representative truths and intentions in writing, partucularily in "Pale Fire" and F&Z, RHTRBC, SAI, and PDFB, I began to include Dostoevsky's _Notes from Underground_ in my ponderings. As I read the part detailing the intended reader, notably the author himself,I would posit the notion that this style is much more akin to the use of Buddy by JDS than Vladimir Nabokovs Kimbote or Shade - especially when reading the first few paragraphs, nay pages, of SAI. I have come to the decision (although probably not an unmalleable one) that I personally have no reason to suspect any disguise on behalf of Buddy in his descriptions of Seymour -they have perhaps revealed themeselves as figurative truth to me. It is almost surely a more burdonsome task, perhaps responsibility, for the pseudo-masochistic author to be truthful - if not embroidering obscurities and otherwise passive relations and perspectives with liberty (which is to say, doing what most authors do), as he speaks to said reader - which may be the author himself. This, now, seems much different than the style of Kimbote - while nonetheless probably still sharing other similarities. Salingers work now seems self-contained. He doesn't neccessarily need an audience, or a reader at all, and he certainly doesn't need to establish a relationship with a reader - this task is left to the reader himself, who, by opening the first page, has been struck with a golden arrow by virtue of his desire to think vicariously, and must now go about chasing Daphne about until she goes and becomes an olive tree somewhere in Cornish, NH. Dan