Jim Rovira wrote: > When I write something autobiographical, you know what that's like? It's > like tracing a painting with a pencil on a sheet of paper. You don't use all > the lines, just some, fill in some new ones, then when you color it in you > use completely different colors. So when you compare the two works, they're > completely different, even though one was initially based upon the other. It's funny you mention that because it's exactly the same area I'm exploring myself at the moment. I'm working on a trilogy of plays about the problems of biography, I've just re-read a book called `The Silent Woman: Sylvia Plath and Ted Hughes' which I hated when I first read it but now find a very valuable text as it takes the situation of Plath as a metaphor for biography itself. It actually has something in common with `In Search of JD Salinger' (which it discusses briefly) - while being a lot more morally scrupulous, or at least exploring what could be regarded as such in more depth. Your interpretation of biography is a very pertinent one, interestingly enough, because I named the play trilogy `The Callihroe Trilogy', after the Greek myth about the woman who is supposed to have invented visual art by tracing around the shadow of her lover's face on the wall of a cave in charcoal. So I guess it's an analogy that's been used for some time! Listening to `Gardening at Night' by REM ... God what a heavenly song (: Camille verona_beach@geocities.com _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com