Someone or other in this discussion wrote: > > Wow. I had always thought that Kafka was a very > > serious artist. Hunger Artist comes to mind, maybe he > > was making fun of the caged man. Maybe he's another > > jackass. I wish I hadn't read that but I'm sort of > > glad I did. Everyone seems to be analyzing him for > > his relationship with his father and they often forget > > to describe the author. That's dissapointing, but I > > will still read him. There's a wonderful Australian play called `Kafka Dances', by (ahem) a friend of mine named Timothy Daly. If it can be found in cyberspace anywhere, read it, because like Kafka's writing itself it is funny, terrifying, sad and serious all at the same time (it concerns the short period in which Kafka was engaged to a woman named Felicite, who Cate Blanchett played in the production that I saw.) I find Kafka extremely funny in a very perverse way. His laughter is that which is chortled in the face of certain doom, and there's something almost Holdenesque about the many characters in his writing who find themselves in bizarre and threatening situations in which they have absolutely no idea of how they got there. The Trial and, my favourite, Metamorphosis, would satisfy this criteria. I've often said that I can see Metamorphosis, (like Catcher), as a story about adolescence - after all, what is the experience but waking up as an altered beast and having to deal with it? What else is Holden doing when he is growing grey hair, losing his breath and growing six inches in a year? Camille verona_beach@geocities.com > No, don't be discouraged by psychoanalysis of his relations with his > father. He is serious. But perversely so. I mean, consider the > opening of "The Trial" -- what could be more terrifying than having the > authorities show up at your door to arrest you, and you don't know why, > and you know no way of stopping it? _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com