--- You wrote: Can anyone come up with a plausible interpretation that makes Salinger out not to be a homophobe? --- end of quoted material --- I wouldn't call this an "interpretation," but as a writer I can say that there is very little one can infer about a writer's beliefs from observing the beliefs of the writer's characters. If I write about a character who is homophobic, racist, sexist, anti-Semitic, anything, and even if I write about that person in the first person and portray him very sympathetically, that doesn not mean that I believe what that character believes. In fact, what I (I use "I" because I do something like this in almost every piece of fiction I write) am probably doing is challenging myself as a writer. A fiction writer likes to think he can get convincingly inside the head of ANYONE, no matter how baffling that person's beliefs are to the writer. There's no challenge in writing about someone who believes all the same things you do. In the case of Holden in the Antolini scene, I don't think he is homophobic. Holden is 16 and scared. He doesn't know what is going to happen next. He's scared of all adults, in one way or another, and here is an adult he thought he trusted who is behaving in an unexpected way, so of course he's scared. That doesn't make him homophobic. And Salinger? Maybe he was homophobic--I don't know. He certainly wouldn't be the first, or worst, in his generation (or any). All I'm saying is that we can't call him homophobic just because his main character is a little scared by the actions of a possibly-gay man. I think we owe JDS, and all writers, the respect of separating their own beliefs from those of their characters (compare this to Nabokov's completely convincing, realistic, and terrifying 1st person portrayal of pedophile/kidnapper Humbert Humbert in Lolita--an extreme example, but apt, I think). Bethany