Hey! On Mr. Antolini, I've always thought that he was the Catcher. Mr. Antolini was petting, or stroking, Holden's head therefore pushing him down, or making some sort of a catching manoever. Mr. Antolini has married a woman older than himself, guaranteeing his youth compared to his wife. As Mr. Antolini downs highball after highball, he begins to try to "catch" Holden. If Holden allows Mr. Antolini to pet him, or stoke him, Holden will be saved. Holden rejects Mr. Antolini and runs off. Holden spends the night in a train station (Penn Station?) as if to foreshadow him going somewhere. As if to escape the Phony world which he detests. He wants to be Nice but isn't, Mr. Antolini ("strictly a phony") tries to get plastered to escape the Phony world. Mr. Antolini's fate isn't shown but Holden's is. As Holden falls, (literally and figuativly) Mr. Antolini must fall as well. Holden ends up in Hollywood, a place he hates. Mr. Antolini ends up wherever he may get plastered, to escape a Phony world. By the way, Salinger's devolpement as a writer is quite pronounced. Going form "slicks" (like "The Hang of It") to "Catcher in the Rye" to "Seymour: an Introduction", who knows what Salinger must be writing now? About the Glass family or a new family? Hopefully, Salinger will never publish any new material ever, as we shouldn't see it. "Men of Rajas, like food of Rajas: acid and sharp, and salty and dry, and which brings heaviness and sickness and pain." -"The Bhagavad Gita" circa 500 b.c.e. "You think you're queer? Let me tell you something: We're all queer." -David Mamet, "Glengarry Glen Ross"