>Saving Private Ryan was a typical Spielberg-movie, and the best thing with >it was that you could leave 10 minutes into it, after the first and only >really good scene (it was absolutely fantastic, got to admit that), and get >a new shot at another film; at least according to the Sony theater policy. > >The Thin Red Line, on the other hand, was a masterpiece. Esthetically it was >two+ hours of bliss, and the story told was something completely different >from the boring ethics of SPR (not to mention the hugging of tombstones or >whatever it was in the beginning/end). It was melancholic, contemplative; it >took us to the jungle in every sense and let us make our own sense (or lack >of) of it. It was a story about man, and the super-slow pace was perfect for >letting our own minds work on a thought for a while without missing anything >vital, because the journey was as much in ourselves as on the screen. Agree totally and completely. I thought I was the only one. -jared