Now, that's hardly giving credit. Is that to say `Oh, all those teenagers and bourgeoise philistines who liked Catcher wouldn't have even *read* Flaubert to know whether he's a section man or not'? man or notis my all time favourite Nine Story, and it doesn't matter whether or not I know the artists to which Salinger refers (as it happens I do but it makes no difference). Hemingway is one of my least favourite writers, simply because I don't like his style or his topics. Couldn't care less whether they're set in Tuscany or Toronto. I don't know much about the workings of Irish hospitality but I liked `Dubliners'. Hemingway simply doesn't interest me. I prefer Scott Fitzgerald any day. Anyone else in to bat for D-D Smith? > He's a little too travelled, too international for the young > Salinger fan (which accounts for the unpopularity of "D-D > Smith"). All those remote locations and frosty summits and > empty cafes and rues and bull fights and spanish bus rides can > discourage even the hardiest American teenager. What is one > to do when confronted with such a curious mixture of ordinary, > monosyllabic English words and impossible foreign place names > and idioms and drinking practices? Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest