Mr Depressed wrote > My absolute favorite is Suburba. Nobody else seems to like it though. > Wonder why? Maybe it's to downbeat and depressing for them? oh > well... I'm one of the Linklater fans who wasn't so keen on `Suburbia', for a few different reasons. Firstly and foremostly (?) its origins as a stage play were far too evident - just the way scenes and speeches were arranged and the whole mise-en-scene; things such as people getting up and announcing things in long speeches was very `theatrey' (and having written a bunch of plays just like this one I know of which I speak (: ) I found the characters not very sympathetic, and although I realise we were supposed to be walking a fine line between dislike and sympathy for them, they were all so self-obsessed that I didn't really care what happened to them. All of this, I should emphasise, was pretty much out of the hands of Linklater who did a great job of directing his cast and setting the atmosphere. I just think the material he was working with wasn't ideally suited to film - it wasn't so much a film adaptation as the filming of a stage play outdoors - and there is a difference. All of this I guess comes back to the central argument that we were having about a movie of TCIR, which is this - like I said, I believe the best pieces of art are the ones conceived for and played out in, the best media suited to them. Therefore, the best movie adaptations are movies which become completely different works of art to the book or play they were based on. No piece of art truly withstands the transition between mediums (the only notable exception I could think of would be the television adaptation of Evelyn Waugh's `Brideshead Revisited' which almost to the word follows the novel incredibly faithfully and successfully). To my mind, a movie of Catcher would be extremely interesting, even enjoyable (and *any* of us bananafishers would have to be lying if we said we wouldn't go to see it, even just for interest's sake (: ) - but the thing about Catcher is, we already all have our little movie of it in our minds. We all know who would `play' Jane or Holden or Phoebe. That's the beauty of the book - it is all of ours while still being Salingers. And I don't know how many of us would be willing to reject this own `personal movie' for another person's, which would never be able to meet up to our expectations. There'd always be at least one part - different for all of us - where we'd go `Oh GOD how could they get that so WRONG!?' P.S. You might try sending your email in text rather than HTML format next time as your original message didn't show up properly on my browser initially. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest