Like Matt, I like to pick and choose reading strategies and ideas from theory without making theory a monolithic aspect of literary experience...I will confess to enjoying theory though, and believing that Salinger's work is not beyond or above theory. In fact, Matt's claim about Barthes "disappearing author" for me, is linked to Mr. Salinger's desire to remove his public self from his work...I read his cryptic statements on the subject to possbily be about his belief that his authorial presence is phony compared to his textual presence...and in f act if I learned anything from my dissertation (I studied critical theory and ananlzed 40 years of critical response to Salinger's fiction with an eye on reading strategies and their theoretical links), it's that the text, what an author writes (not intention), that is most likely to shape the theoretical links, not the other way around...so I like to use theoretical insights to give me new ways to see Salinger's fiction, but believe the base of the work is not going to change because of theoretical constructs... Where theory and text best converge for me and in Salinger's work seems to be in Reader Response Criticism...Salinger's work deals so centrally with love and spirit--things most theories don't handle well--and it's my belief that his work makes individual readers aware of love and spirit in such powerful ways, that that's where the "liteary action" is--in other words, Mr. Salinger was probably aware that his "amateur readers" were really the best links to his work in his first place, since amateur readers can talk about how text influences their lives, not their literary theories... will