At the moment on the BBC World Service, the writer
Christopher Hope is reading, each day, a chapter of his recent
novel Heaven Forbid. This is a narrative ostensibly spoken
by a little five-year old white boy living in South Africa in the days
just after the war when apartheid still dominated the land.
The parallels with Hapworth are evident & the book has been
criticised by Penelope Lively on similar grounds: that the insights
(if not the words) are too developed & subtle to be emerging
from so young a child.
Although she may have a point 'technically', I personally didn't
find this aspect of the book at all unsettling - largely because of
the tone Hope has found for his hero: guileless, declarative, simple.
This may well be the kind of 'innocent, wide-eyed' attitude
we sentimentally & erroneously attribute to young children.
But in the hands of the skilful writer it seems to me to offer
a powerful freshness when dealing - as here -with both dreadful
events & hilarious ones. It's the unadorned simplicity of the
statements - that could so easily become tedious but in this case
don't - that, for me at least, lends this story such charm & vigour.
And which, with all his writhings, is so conspicuously absent
from the Salinger story.
Mind you, this is all based on hearing the writer read his own words.
It's a fine 'performance', spoken in a soft authentic Jo'burg accent,
which in itself may convey more than the bare printed page.
I suggest, all the same, you give it a try.
Scottie B.
-
* Unsubscribing? Mail majordomo@roughdraft.org with the message
* UNSUBSCRIBE BANANAFISH
Received on Wed Jul 23 04:24:44 2003
This archive was generated by hypermail 2.1.8 : Tue Sep 16 2003 - 00:18:38 EDT