`...Our interpretation is every bit as valid as his,' writes Camille with breathtaking self-confidence, `... that's what happens once you put text out into the world. Just because he wrote it doesn't mean that his opinion on it is Correct...' I gather this conceit that a work of art is some kind of co-operation between creator & audience derives originally from Frog literary theory. It triggers a lot of delighted laughter in England but is apparently still taken quite seriously in America & some of the other colonies. It is, of course, utter drivel propogated by academics & critics hoping to arrogate their humble function to the same level as that of the artist. But that's not how the thing works at all. The artist or writer is the discoverer of a unique vision which he tries - without ever wholly succeeding - to transmit across all the static & bumph of interstellar space to whatever distant planets may be trying to tune to his wavelength. There IS an authentic, central experience which the artist may not, himself, wholly understand since much of it derives from his own unconscious. But, believe me, he is in a much better position to speak for it than anyone else who, by the very nature of things, is many light years from its place of origin. I know about these things. I'm a writer of novels both published & acclaimed & have known quite a number of creative writers even more distinguished than myself. Every one of us share the same attitude to the reading public. Let the bastards hand over their money & feel grateful for the benefit of our labours. And then let them keep quiet. The day Jack REALLY starts to believe he's as good as his Master will be the day Western Civilisation starts its final collapse. Scottie B.