I'd fallen asleep with the BBC World Service still playing
on the bedside radio & was woken in the early hours
by someone sounding youngish, earnest, American & female.
She went rattling on most articulately about life, work, love
& the whole damn thing - in what, to go by the acoustics,
must have been some kind of public hall. The voice was
vaguely familiar but I couldn't quite place her. She was certainly
going on a bit: her struggles for validation, her search
for authenticity, her thoughts about this & that, but, above all,
her 'WORK'. Her WORK, apparently, involved gathering
all her aspirations & prejudices, all her love & hate, all her joys
& dreads - & wrapping these round a metaphorical arrow which
she then fitted to her bow, took careful aim & fired at humanity,
establishing thereby communion with such innocent bystanders
as stood in the way - but above all with 'the one JD Salinger called
The Fat Lady.'
O God! O Montreal!
It was a college occasion, all right, a commencement probably.
You could tell by her references to gowns & mortarboards &
the quiet murmurs & shufflings in response. But WHO the huck
could it be? It wasn't Hillary & she sounded too young for Sontag.
Then the penny dropped. Of course, who else? What gave
the game way was her story of agonised self-questioning when
invited to take the lead in The Accused. Of COURSE. It was
that little lady from Hollywood with the 200 point IQ. Jody herself.
So now you know. When you watch Clarice staring with that
ever so slightly cross-eyed apprehension past Hannibal's left shoulder
what she's actually seeing is the 'big fat smile on the face of
the Fat Lady embracing us all with her unconditional, unquestioning
love....'
Gruesome, man.
Scottie B.
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Received on Sun Jun 8 06:44:39 2003
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