Strange coincidences today, with the talk of poets and visionaries. I'm in the middle of reading Nelson Algren's "Nonconformity: Writing On Writing" (New York, Seven Stories Press, 1998). In one passage, Algren quotes Rimbaud: "By a long, immense and reasoned derangement of the senses, the poet makes himself a seer. By seeking in himself all forms of love, pain and madness, by turning himself into the great sick man, the great criminal, the great accursed, the poet reaches the unknown; and if, maddened, he should end by losing understanding of his visions, at least he has seen them." I read this on the subway today, on my way to work, and of course thought of Seymour, and Buddy's various descriptions of him, and then came upon a series of messages about poets; something about this synchronicity tickled me. Oddly, in a footnote, Daniel Simon & C.S. O'Brien comment that they cannot find such a translation of Rimbaud from which Algren may have drawn, and they supply a passage from a 1946 translation of THE ILLUMINATIONS that sounds rather different: "The poet makes himself a visionary through a long, a prodigious and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, keeping only their quintessences. Ineffable torture in which he will need all his faith and superhuman strength, the great criminal, the great sick-man, the accursed, -- and the supreme Savant! For he arrives at the unknown! Since he has cultivated his soul -- richer to begin with than any other! He arrives at the unknown: and even if, half crazed, in the end, he loses the understanding of his visions, he has seen them!" In either passage, however, there is certainly enough suggestion of a whiff of Seymourism to make the head spin. It certainly caught me by surprise. --tim o'connor