Re: Salinger's Letters To Be Auctioned

Jake McHenry (seymour@ktis.net)
Sun, 16 May 1999 01:44:17 -0500

You know, this horrible opus was not intended for your eyes. I was sending
it out to my best friend and was at work on the sneak and the boss was
coming. The way that the new Internet Explorer 5.0 works is that it has this
"memory" deal for the fields. I started to type his address which is
"bandini151" and the program tried to help me out by filling in the rest. It
never occurred to me that it was the bananafish list. In a hurry I just
accepted whatever it told me and it obviously got posted on our list. I feel
embarrassed.
This piece was an old staple I used at poetry readings. There is a small
poetry slam in Denver and my friend wanted to read it for me in my absence.
Glad if anyone liked it. Sorry if you said, "What the fuck?!" out loud or to
yourself.

I am pleasantly drunk and pleased that you are all on this same planet as I
am. I find tremendous comfort in you all. (Most of you all.)

Sweet dreams.
-Jake
----- Original Message -----
From: Sean Draine (Exchange) <seandr@Exchange.Microsoft.com>
To: <bananafish@lists.nyu.edu>
Sent: Saturday, May 15, 1999 10:28 PM
Subject: RE: Salinger's Letters To Be Auctioned


>
> Fellow list members, a toast, to the lovely and talented, Jake McHenry.
>
> -----Original Message-----
> From: Jake McHenry [mailto:seymour@ktis.net]
> Sent: Friday, May 14, 1999 2:22 PM
> To: bananafish@lists.nyu.edu
> Subject: Re: Salinger's Letters To Be Auctioned
>
>
> Make Me An Offer.
>
> Part One: Steeple Chase
> "I don't recommend any of the processional wives. I wouldn't take a dollar
> from a dead, dying man. I tried to last without exploding into a million
> star pieces but I couldn't keep my mouth shut. Couldn't keep my eyes open.
> Couldn't mistake one for the other. This for that. Could not exhaust all
of
> my options. Couldn't swear at the steeple. Couldn't see the forest for the
> trees. Couldn't speak to droves of people. No, I don't recommend the
> processional wives."
>
> Part Two: Cancer in April
> "I wouldn't bother with any of the children. It wouldn't be fair and they
> are far too needy. Tomorrow has a bellyache that can't be driven out. And
> that bitch still sleeps on my couch."
>
> Part Three: Silly Myths
> "You needn't look at the husbands. They are far too macho with grief.
Never
> knew what bit them and now they spend time avoiding their dreams and
> settling for something less. I am a fellow who gives a good goddamn about
> what is right and true and lean. I will throw down for you in a fight. But
> there are other men I have met who linger in dismal denial. For a dollar
or
> two I can have them beaten. Pay me in pennies because I like Lincoln. From
> here on in you are on your own. No one is going to accept a note from your
> mother. Fuck you. I'd like to have tome for the sick and the poor but hey
> man, I am one of the sick and fired and I need a better saddle for this
> trip. My poncho was left out in the sun too long and I think it's starting
> to rain. Not a damn thing you can do about it. Not anything at all. You
can'
> t hop on a train and get off at Utopia Stop. I just doesn't exist. God
knows
> I have tried it all. I always think it will work out good, but to hell
with
> that. She is leaving or has already left. Happiness is a silly myth and I
> have grown bored of playing with it. So I'm going to be so drunk and
stoned
> I'm sober. I'll be there in the spring. I will grow my hair out and
discard
> my hat so that I'll look different than when I left."
>
> Part Four: Decisions, Decisions
> "But goddamnit. I just want it all to be the way it was before. Even if I
> was miserable half the time. It's better than being miserable all of the
> time. I think that I could have made good if I hadn't blown my cover so
> quickly. No one has to know me somewhere. I am almost ready for a small
town
> startover. A small place is the best to be. I've got a pile of laundry
> quarters and a pile of porno tokens in the other. Which one do you want?
You
> can't have both. Which one will it be? Or would you rather have me
instead?
> (I know better than that.) I will stand on a freeway with my eyes to the
sky
> if you want. I'll trade pomes for peppers and red beans and rice and make
> you a Mexican stew. I'll abandon all hope of recovery from this one and
> accept whatever comes, hanging by my thumbs. I'll fight for you to the
> death. I'll paint you paintings and leave you notes and conquer
Philistines
> and submit to common laws. I'll buy you tinsel and kite string and
> construction paper and we'll make paper lanterns when it rains. And we can
> dance to Etta James and John Coltrane when we make love. We will drink
fine
> bourbons and ride own damn show ponies and sell out crowds of one hundred
> and eight. We will dine on bagels with cream cheese and macaroni. We will
> laugh until our bellies hurt and we'll struggle when we are apart. I'll be
> sick. I promise. I'll give you whatever I've got and we'll negotiate for
> more. And hey, you aren't getting a bargain here. You'll have plenty of
> trouble whipping me into shape. You may have to learn things just so you
can
> teach them to me and then I'll claim them as my own and condescend to you
> because I am better at Jeopardy. I am in trouble with a capital "T" and
that
> stands for trivia, baby. And that's what sucks about the whole goddamn
> thing. And "suck" is quite a deterrent, believe you me."
>
> Part Five: Make Me a Star, Baby
> "A retrospective is not a wake. Or is it alright to want a signed, limited
> edition of your work before you are even published? But we should start
out
> there, shouldn't we? And hey, motherfucker, who asked you? Why isn't my
face
> on the box of Wheaties and the cover of Rolling Stone in the same week?
Why
> can't I be the darling of the press? Why can't I be a star? And I don't
even
> want to be a star right now. I just want to be in need of nothing as much
as
> I am in need of something right now. I like talking in code so don't ask
me
> to change the tires, change this twenty, change the topic, the channel,
the
> alarm clock to read a quarter past five and change your mind."
>
> Part Six: Expensive Glowing Women
> "But don't think for a minute that I don't have a plan B. I am the phoenix
> rising from the ashes always in times like this and here is where I come
to
> life. My face is glowing as I experiment with my facial hair. (Mustache or
> no?) The women all look at me and I can smell their thoughts. Could snatch
> them all up if I had a good couple of minutes alone with them, provided I
> had the inclination to do so in the first place. But I have grown weary of
> seducing these kittens in the name of Anais Nin. (My name isn't even
Henry,
> silly rabbit.) This whole thing is tiresome and my taste is far too
fucking
> expensive. You can't afford a guy like me, baby. Don't even try it. I am
the
> Gingerbread Man. Catch me if you can."
>
> Part Seven: Molding Clay
> "I am the wisest of fools and I can tell you exactly what you want to
hear.
> I will tickle those cute little ears of yours until kingdom come or God
has
> a bad day. And when the laughter and the tears have passed me by, you will
> be the one left open. An outpouring of anger? Indeed. But please don't act
> like it matters to you. I blame myself for it all. Really I do. It all
comes
> back to this unattainable mold that I created for you in the first place.
Do
> you still fit?"
>
> Part Eight: Truck Stop Love
> "I want a Heavenly Her. Not a Luck Charms marshmallow trinket. I want a
love
> that feels like a toy Stomper 4x4 monster truck with brand new spanking
> batteries inside. Fully charged, kiddo. And climbing full-force over
> mountains of Lincoln Logs and crayons and other pieces I have left behind.
> Headlights glaring bright. And this is where I want to be. Raise your hand
> if you want to come along. There are a lot of you out there. I am 20
pounds
> leaner and feeling fine. I will hold your hand forever if you let me. The
> one that holds my cup will dance on her tippy toes for a long, long time.
> And let God be called I liar if that's not true. I would even let you beat
> me in a game of chess every once in a while. That is how much I love you.
I
> will stand on a street corner with a cardboard sign saying, "Will Work For
> Love."
>
> Part Nine: Habits Galore
> "If only the mother of my children won't pick a fine time to leave me with
> crops in the field. That bitch, Lucille. Where does she get off? And
double
> entendre runs amok everywhere. And you look in the mirror and see wrinkles
> and graying temples and thinning hair and you brush your teeth and drink
> from the shower head and swallow and wash an older body and holy mother of
> God where does it all stop? How did I get here from there? And I will fall
> in love with a woman's neck before I can even make it to her neighboring
> barstool. I am an endangered species. Heterosexual renaissance man. I can
> even cook. And I am here on display. And I will give $100 and a blowjob to
> anyone that kills Rikki Lake, Judge Judy, Jenny Jones, Maury, (What in
God's
> name was Connie Chung thinking?), and Susan Powter. Stop the insanity, my
> ass. Just stop her before she kills again."
>
> Part Ten: Raging Bull
> "But more and more I feel like I'll end up like poor old Dante. His
Beatrice
> ended up dead and was gone for good before they ever really had a chance.
> And I am really trying to hash it all out here. And I am fighting my heart
> on a daily basis. An hourly basis. And my brain is delivering what should
be
> knockout blows to my heart but to no real avail. A giant slap to the head
> and Milan Kundera is no real help at all. Sure, sure. All women dig
Kundera.
> But I am just reading his books for material. Just to show that little
hotty
> over there just exactly how sensitive as hell I really am. "Care for an
iced
> cappuccino?" "You like Kundera? I just adore Kundera?" But I really only
do
> this thinking that if I can keep this little sham going for a week or so
> more I just might stand a chance at kissing the corner of her mouth. I
just
> might be able to hold her hand and smell her hair when I kiss her goodbye.
> And that nervous butterflies feeling is where it's all at for me. Up in my
> chest and down in my belly is the thing I love best. And I will have a
crush
> on you at the drop of a hat. And later, when we are alone and I let her
read
> some of my silly pomes and dig on my art and my feelings on God and
> literature and all that business, I will move in for the kill. So there
you
> have it. I let you in on my best part. Her cool company and me with
> eternally shy darting eyes laying it on thick. Real thick. "And I can only
> tell you this because you make me feel so comfortable." "I really relate
to
> you." "Only you can understand the real me."
>
> Part Eleven: The Best One Yet
> "But here's the deal. (And I'm not asking a lot here, mind you.) I am a
> simple high-cultured low brow. A dungarees and crew neck T-shirt taste.
And
> my end of the deal is more than fair. A hug from behind as we sleep and
hold
> hands. And I get to jump on you and wake you up at three o'clock in the
> morning when I can't bring myself to sleep. And I get kiss your belly and
> smell your breath and look you square in your tired puffy eyes and swear
on
> God and man that you are mine."
>
> -Jake
>
>