I was just thinking the other day that Salinger seems to drive a huge wedge between intelligence and wisdom. Those people who are `intelligent' - in the sense that they know a lot of things - are generally made to look bad - i.e. Lane in `Franny', Mr Spencer in Catcher, the Section Men in general. Whereas the truly wise people are given almost no words. Who could ever forget the deaf-mute in Raise High, or Holden's correspondent fantasy in Catcher? Perhaps that was Salinger's greatest mistake in letting Seymour say so many words after his years of silence. Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest > I would say that a lot of the Eastern literature that influenced Salinger > made normal human intelligence out to be a pretty good asset in attaining > wisdom. So while you may disagree with this view of wisdom, Camille's > representation is pretty apropos to Salinger's work. Usually it is those > with genius that are wise as well in Salinger's world... > > jim > > ___________________________________________________________________ > You don't need to buy Internet access to use free Internet e-mail. > Get completely free e-mail from Juno at http://www.juno.com/getjuno.html > or call Juno at (800) 654-JUNO [654-5866]