Well Malcolm, I wasn't aware that entering into an exchange was "clogging up" a mailing list. Your response seems over the top to me. What is making you so angry over a discussion? Slightly offended, LP >---------- >From: Malcolm Lawrence[SMTP:malcolm@wolfenet.com] >Sent: Friday, 14 November 1997 16:38 >To: bananafish@lists.nyu.edu >Subject: Re: JDS Film and TV > >PODESTA,Lesley wrote: > >> Malcolm, I agree with your sentiments but I think you're a bit harsh. >> The project of modernism means that we and reinvent ourselves based >> (partly) on our likes/choices and allegiances. These things change... >> but they're are an important part of working out who we "are" and why. >> I love Salinger's stories but depending on who I am (today, tomorrow) I >> like certain ones more or less. Self and identitity (such a core theme >> in all of JDS' works) are constant themes of the modern reader and >> writer, particularly during adolescence or periods of change. >> >> Lesley P. > >I perfectly agree with what you're saying (with the possible exception of >your use >of the word modern. What you're talking about isn't particularly modern, >unless >modern includes the ancient Greeks), but there's a big difference between who >or >what your personal favorites are on any given day, month or year, and what or >who >is "better." "Better" meaning what, anyway? Financial balance? Number of >books >sold? Influence on future writers? Syntax? The use of diphthongs? Universal >themes? Translation into other languages? > >And when you're at the level of maturity where you can get into fuming >arguments >over whether the 1967 Green Bay Packers were better than the 1972 Miami >Dolphins, >you're also at the level of maturity where you can say "Hesse is so much >better >than Gurdjieff. Camus is so much better than Spinoza." When in fact ten years >down >the road you probably won't even remember which titles of theirs you read. > >Art doesn't have anything to do with awards shows. Eventually you get to the >point >where you realize that all the classics of art are simply links in an eternal >tradition, forever having conversations with themselves, stretching from the >ancient Chinese and the ancient Greeks up through (to name just a few) >Virgil, >Dante, Shakespeare, Joyce and echoing off into forever. To me, comparisons >are the >refuge of the insecure. Still, if you really have a point to make, why not >write a >thesis or a book about it rather than clogging up mailing lists. > >