Camille Scaysbrook wrote: > Go back to Shakepeare [......] > Shakespeare was simply his generation's Steven Speilberg. There's no better > analogy for it. In the end, he didn't even believe he was creating high > art. He was just making a living. Does the authority on how to perform or treat Shakespeare reside in the productions of Shakespeare's company? And though the firsthand accounts of Elizabethan theaters sometimes mention unruliness and disrespect on the part of the 'groundlings,' is there reason to believe those accounts are generally representative of the playgoer's experience? Of, say, a Blackfriars performance? A court performance? And do you *really* suppose Shakespeare didn't consider himself an artist and a poet? -- Matt Kozusko mkozusko@parallel.park.uga.edu