> > He glanced at the girl lying asleep on one of the twin beds. Then he > > went over to one of the pieces of luggage, opened it, and from under a > > pile of shorts and undershirts he took out an Ortgies calibre 7.65 > > automatic. He released the magazine, looked at it, then reinserted it. > > He cocked the piece. Then he went over and sat down on the unoccupied > > twin bed, looked at the girl, aimed the pistol, and fired a bullet > > through his right temple." > > > > Both the syntax > > and the diction unmistakably suggest that "the girl" is the target. I think we're all selling Salinger a little short here. Of *course* we're supposed to think that Muriel is about to get shot! Of *course* it comes as a surprise when Seymour shoots himself instead! Ever heard of the red herring ??? Salinger rarely does things for no reason,; he is always a meticulous craftsperson, too. He's not blundering around in the dark. He *knows* what he's doing to us here. The reason it may seem that Muriel was Seymour's intended target is because that's exactly what he wanted us to think - what kind of dull story would it have been if we'd known what he was up to all along? Camille verona_beach@geocities.com @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST www.angelfire.com/pa/invertedforest