Socttie, it sounds like you are trotting out Coleridge's "willing suspension of disbelief"...a reading idea that has always made a great deal of sense (I think) of how reader and writer "buddy up" to each other in the first place. What happens in lit goes beyond authorial intention, but including authorial knowledge may enable some readers to makes more sense... after all, readers approach lit with psychologial or aesthetic or sociologial approaches...biographical approaches are just a variation on the theme... Reception of an author's work is usually a process and intention plays varying roles in varying readers and texts...let's keep this issue good and muddy, will