Whereof one cannot speak - as Wittgenstein pointed out - thereof one must remain silent. So, properly, I should keep quiet about the Hamilton book which I haven’t read for many years. Still, I’d like to add my own tuppence worth to Andy’s defence of it. My distinct memory is of a civilised & amusing piece of writing which, in its emulation of The Quest for Corvo, was tracing a marvellous set of footprints. I’d hate newcomers to be put off it by the powerful draughts of disapproval wafting up from Capricorn. I should point out for all you chaps who insist on the importance of the context of a book that Hamilton (as a well regarded poet & - I think - at that time literary editor of the Spectator) was writing in the ambience of a highly sophisticated culture that regarded Salinger with affection but something less than the breathless awe that permeates this list. Anyone who withdrew from the literary world of London to some remote village in Scotland insisting on Trappist seclusion would become overnight the butt of the very cruelest mockery. (And the blood runs cold at the thought of anyone trying to do it from Dublin.) The inhabitants of these little islands can, from time to time, take themselves quite seriously but - unlike Americans - they would rather die than be SEEN to do so. That, in my eyes, is Salinger’s real sin. Vanity in vanity, saith the Preacher. All is vanity. Scottie B.