I'm not casting any aspersions on Hamilton himself, and, as I get older Salinger becomes for me less like some sort of mystical, mythical Lord of Shalott creating away in his ivory tower and more like a rather enigmatic, perhaps even disagreeable old man. But I still do feel some sense of loyalty to him, which, to me, Hamilton violated. I've already talked on this list about the tendency to deify Salinger. Like a god he demands our faith on the basis of what little we know of him, and without his manifest presence. It is tempting to place him outside human experience; it interested me that he refused to name any living authors amongst his favourites as he `thought it wasn't right', because by his seclusion he has made himself effectively a `dead' author - which, in turn makes us even more eager for a resurrection, or even a sign, from him. But that's beside the point : Salinger's reasons for his seclusion are his own, and on one hand I resent all the hacks who try and leap over his wall for National Enquirer pictures. But on the other hand, I am also the one who dreams of slipping notes and manuscripts into his letterbox as a kind of Wailing Wall from which I may or may not get a reply but can be satisfied in the mere fact that I have done the best I can to get my message through. Therefore I find my feelings over the Hamilton book mixed. Initially, I believe Hamilton had this same basic fascination for wooing the enigma out of hiding - and I'm sure all of us would like to take credit for being the one who finally persuaded Salinger back into the world - but as the book progresses and the mission goes sour, I become more and more convinced that Hamilton oversteps his bounds. It's Hamilton's methods and attitude that I found troubling. He seemed to treat the Salinger hunt as a kind of game; if he could tease the animal for long enough it would come out of its lair. It's as if he almost hoped it would emerge with its fangs bared, yet he seems surprised when Salinger goes to such lengths to maintain his privacy. He misconstrues his subject; endows him with a persona, claiming that Salinger's warning letters were initially a kind of `catch me if you can!' (when to me they seemed plainly `GO AWAY!'). You cannot play games with another person's life, no matter of their reasons for doing whatever they do. I found Hamilton's bravado bothersome. He really wanted to be the St George for this particular dragon-slaying; to make his name as the One Who Rescued Salinger, it just seemed arrogant to me. That's not to say I found JDS a particularly attractive character either - in fact, I think in some cases he may have been wiser to actually let Hamilton use the quotes he wanted to; to `speak' for himself. It seems very odd that an author would wilfully abandon his own voice (if his voice of half a century earlier is still his). But we all find a lot of JDS's behaviour puzzling, that's not the point. On a more personal note I found Hamilton's technique of giving himself a pretend `partner' in research somewhat tiresome; whenever he spoke of himself and this `companion' as `we', it reeked almost of the royal plural; the absent, editorial `we believe this'. I wish he had taken more heed of the old adage `walk a mile in another man's shoes' (I would say it is one of the defining axioms of my life) - he does not recognise the irony of his alarm in finding a cache of his own letters in the Texas library in which he is waiting to receive a similar cache of Salinger's letters. As I said in an earlier post, you cannot confuse the author with his character (`Ian Hamilton' in the book is still a `character'), and I can't comment on what kind of person he is in real life. His firm, overweening belief that it was his duty to tear down what protective layers JDS had placed around himself just disturbed me on a humanitarian level. And that's why I call it a `hatchet job', which I think now was the wrong term. I just meant to express the unsettling predatory nature of Hamilton's study. And let me clarify, I really, really did not intend to deliver any body blows to you! I think you remain a kind of patriarch of the list (which is why I made the Salinger comparison in the first place). I am in awe of your experiences, which make my 20 years seem shorter and shallower still. The enigma of JDS tantalises me as much as I'm sure it does (or did) Ian Hamilton - I'm no longer even sure of my stance on him as I get older and more cynical. All I can be sure of is that he wrote some stories that I love, and like Santa Claus, I want to leave him some small plate of cookies just in case he really does exist. I still can't make myself believe Salinger is totally barren: the cantankerous tyrant it is now fashionable to think of him as just doesn't wash. It's as if he became Seymour; commited `suicide' all those years ago, and all the rest of us are the Glass family, trying to figure it all out. I don't know. I probably will never know, none of us will. We all hear the rumours about his writer's colonies and myriad completed works. Maybe they are masterpieces. Maybe they are rubbish. Who knows? I think he describes my feelings on his enigma himself : `Not wasteland, but a great inverted forest / With all foliage underground' Camille verona_beach@geocities.com THE ARTS HOLE @ http://www.geocities.com/Hollywood/Theater/6442 P.S. Thanks for sticking with me on a long and wordy post ! (If you did make it this far) (: > It's some years since I read the book & I don't have it by me > for reference but her description - `self-centred hatchet job' - > doesn't at all fit my memory of it. Nor does it fit with an even > hazier memory of my one meeting with the man himself in > a London pub almost 40 years ago. He was introduced as > (I think) literary editor of (again, I think) the Spectator & > part-time poet. He was so self-effacing that my dominant > impression remains one of great kindness & courtesy to a > young punk like me who had not the smallest claim on his time > or attention. > > Surely one can express a little scepticism about what looks to > some of us like contrived reclusiveness without being labelled > an axe man ? > > Scottie B.