me pierce wrote >> I had a husband who was obsessed with "Blue Velvet," wanting to watch it repeatedly every other weekend. With the exception of "Apocalypse Now" (another of his favorite flicks) I have never seen a movie so disturbing. I had to often go outside for air. I can't say that I "liked" it, but I can say that it profoundly affected me.<< Reminds me of a judgement I heard passed at the premiere. A young trendy couple emerged from the darkness. `Wow ...' the female partner said. `I think I may have hated it ...' (: It's that kind of movie, that provokes an instant emotional response. Like you, that's what I respond to in all of Lynch's films. As you say - they're not even movies, they're experiences. This is even more so with `Lost Highway' in which the great challenge lies in filling in the story for yourself. This is a mode of storytelling that really inspires me; it's almost akin to what Tarantino did in `Pulp Fiction' (which, to loop this back into relevancy - (: ), he says he was inspired to do by the Glass stories) but instead of putting the story together, you're actively participating in the creation of the story. Good, good stuff. But not for everyone. Just like Salinger (: Camille verona_beach@geocities.com @ THE ARTS HOLE http://www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST http://www.angelfire.com/pa/invertedforest