Good question--M versus PM How could Salinger's work be resistant to literary theory? It has always been the wonderful works , wonderful in themselves-which both please and instruct us-- that curiously *justify* lit theory (which one can take or leave)-- Ihab Hassan's chart in which he double-lists the characteristics of Modernism/Post-Modernism came to mind, so I quickchecked it and I see words on both lists that click with a global reading of Salinger's work....and it looks like JDS, perhaps, stands at a juncture of Modern/PoMo.... I will pick 5 matchings from Hassan's chart, the first word being a characteristic of Modernism, the second being a characteristic of PostModernism. (It is an interesting list) Form/Antiform Form--his stories are New Yorker stories (whatever that really means) Antiform-his texts are definitely "open, disjunctive" Purpose/Play Salinger's wonderfully digressive narrative strategies (purposeful) certainly highlight play. Design/Chance Again, Salinger is a writer of great craft, who works from plan, and everything is certainly *placed*....yet Chance is everywhere.... Master Code/Idiolect Idiolect-certainly the narration in Catcher. lisble (readerly)/scriptible (writerly) Things break down here. I need to look at this more. Certainly his stories would fall under readerly texts, to me anyway. Maybe Catcher could be argued as falling under *writerly*. But this and eveything else makes good classroom argument. Maybe some of the characteristics that people have ascribed to Zen in Salinger might also be ascribed to nascent PostModernism. Maybe it's the *tug* in Salinger's work between Modernism and PostModernism that gives his work special resonance. I hope I have not ruined anyone's day. Rereading Will's posting, I am smiling at the wonderful phrase "new reading opportunities"--yup, yup, yup, yup, yup. > ---------- > From: WILL HOCHMAN[SMTP:hochman@uscolo.edu] > Reply To: bananafish@lists.nyu.edu > Sent: Thursday, August 27, 1998 8:40 AM > To: bananafish@lists.nyu.edu > Subject: jds&postmodernism > > I'm interested in the way postmodernism (whatever that really means > beyond > fragmentation and synthethis) creates new reading opportunities in > salinger's fiction. I think that "Hapworth" gets a better context > these > days than when it was published, but what about other salinger work > and > postmodernism? Is mr. salinger resistent to lit theory or are amateur > readers assisted with new approaches to lit? will >