Fluxis wrote: > > I'm pretty sure that it was only in the pocket of the Lennon assasin. I think > the others were pure movie magic. I don't know what you mean by movie magic--I know only the lennon assasin actually carried the book, but Hinkly expressed similar influences from the book--nevertheless, what I wanted to get at was the psychological aspects of the character. Holden is like Hamlet: he never quite does what you want him to. Just when you think he is standing up for himself, setting things right, he winds up wincing in the floor, drifting off into some imaginary world. There's certainly an onerous feel to those types of fantasies; and one can not ignore them when she/he reads through the text. A thin line develops between right and wrong, what you should have done or should not have done. I think of __A Separate Peace__ by Knowles. I read that and Catcher back to back a long time ago. The protag, I forget his name, lives the rest of his life not knowing for sure if he intentionally caused his friends fall from the tree. Is there a line? Have you crossed it? Was it intentional? I'm curious how people handled these emotions when reading Catcher. Brian