> He must have guessed by now how I regard > the work of professional critics - as purely parasitic. I would > never wish to encourage such unwholesome activities. > Indeed it's probably only now that he's been > put on the college syllabus & the poor children are required to read > the commentaries that he will start to die. For every person for whom TCIR is ruined by having to study it (which is undoubtedly a tragedy) I can guarantee you that a good many will go on out of interest to discover Nine Stories, the Glass family et al. If we ran a bananafish poll asking who arrived at Salinger in this manner I'm sure we'd find a good many. I think you're selling critics a little short - as far as I can see, a good critic attempts to apply their knowledge and experience fairly and objectively at the service of illuminating a text. True, to get to such examples involves wading in a fair amount of self-aggrandising rubbish, but frequently, it's worth it, and when it isn't, it's as easy as skipping ahead to the next article. Salinger's writing took on, for example, a whole new resonance when I began to read the theories about the influence of Zen on his writing, and also opened me up to the world of Zen. Naturally I would never suggest the criticism of a work as a substitute for your own opinion of it, but all a critic is really doing (or should be doing, and in the naive opinion of my poor young unjaded soul, occasionally does do) is offering a suggestion for interpretation, which you may or may not take on to illuminate or enhance your own. Camille verona_beach@geocities.com @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442