I decided to stay until this discussion is over, so please feel free to react to my previous email. :) arne At 22:04 14-7-98 +0200, you wrote: >In fact before unsubscribing, let me give my last and only contribution to >this list, about the so-called "universality" of Literature in general. > > >At 11:22 14-7-98 -0400, you wrote: >> >>On Tue, 14 Jul 1998, Camille Scaysbrook wrote: >> >>> So which side of the argument are you on? I can't quite figure out whether >>> you are saying you agree that Salinger's work will last because of its >>> universality, or it won't. >> >>I am decidedly on the "Salinger's work won't last" side of things. It's >>not universal, except to people who think their personal experiences are >>universal. I thought I'd rather plainly said so two or three times >>recently. > >Could you please point out what things ARE universal then, except, of >course, the universe itself? If personal experiences that we all have, >always (like love, death, loss, friendship, etc. etc. etc - all those >things that Shakespeare, Homer, Dante, Tolstoy, Dostoevsky, and, indeed >Salinger, wrote about..) aren't, then nothing is. Since identification is, >in my opinion, the only real argument for reading literature (if I want to >know something about America and its youth in the 50s, I'd rather check a >history book), I think the only qualification for being 'Universal' >actually is, identification with exactly these personal experiences, that >are of all time. > >> >> >>> I consider something `universal' to mean that it >>> transcends its time and place of composing >> >>To call anything "universal" is dangerous. There are components of >>Salinger's work that are wide-reaching (they transcend the time and place >>of composing), but for the most part, Salinger is not as universal as we >>might hope. Lesley's post of today is well taken. > >Everything can transcent the time and place of composing, if only it is >written well. Since I think we would all agree that Salinger is a good >writer, I don't see why his work should not transcent time & place of >writing. Why is Shakespeare so famous? Not because of what he wrote, about >some historical kings and kingdoms, but how he wrote it , and how he >described human feelings and actions. Really, if Salinger could have put >the meaning or essence of what he writes down in one or two scentences, he >would have done so. Since he hasn't done this, in the discussion we >shouldn't look for the time&place but for the way he described this >time&place. > >Arne > > > > > >> >>-------------------------------------------- >>Matt Kozusko mkozusko@parallel.park.uga.edu >> >> >> >> >