> To call anything "universal" is dangerous. There are components of > Salinger's work that are wide-reaching (they transcend the time and place > of composing), but for the most part, Salinger is not as universal as we > might hope. Lesley's post of today is well taken. Oh, I don't know ... at a very facile level you could judge universality as the number of places in the world in which a book has been translated and enjoyed, and I know TCIR fills that criteria quite well. But also, it is possible to talk about degrees of universality, and at least earmark those texts that are more `universal' (that's probably not the best word) than others - e.g. you could say TCIR is a more universal book than say, Dr Zivago, because the former employs more themes that everyone can empathise with and transcends its status as merely a book of its time. And I accept that the cult of the teenager only really began in the 1950's but I think the wider theme of TCIR is something which is a component of Holden's dilemma - the passage of time. There is *nobody* who can't empathise with that. Have a read of the end of chapter 16 and you'll see what I mean. The best argument I think is the fact that we're all reading a book that was published the year after my parents were born and none of us are showing any signs of getting sick of it or finding it irrelevant. There's no doubt it's one of the great 20th Century novels, but of course none of us can judge whether or not this will extend to the 21st Century. Camille verona_beach@geocities.com @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442 THE INVERTED FOREST www.angelfire.com/pa/invertedforest