- > Go back to Shakepeare - that is, the bare bones, the text. Then imagine the > middle of the day in a stinking Elizabethan theatre with idiots throwing > chestnuts at each other, gettting drunk in the aisles and trying to chat up > people. Then think of the bear baiting next door and all the noise and > other things that you as an actor/playwright have to compete with to keep > the audience's attention; to keep bums on seats as they say. Then think of > the plays - all the weird juxtapositions of high camp comedy slapstick with > extreme tragedy, a song in the middle of nowhere that has little to do with > the narrative - and most of all, a young (and obviously male) actor doing > his best as Juliet to perform a tragic death. > > Shakespeare was simply his generation's Steven Speilberg. There's no better > analogy for it. In the end, he didn't even believe he was creating high > art. He was just making a living. > > P.S. `From their mouths naught doth flow/But Juliet and Romeo' > - Quote in early 17th century made by a townsperson sick and tired of > hearing how cool Shakespeare's `Romeo and Juliet' is (true!) > > Camille > verona_beach@geocities.com > @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442 > @ THE INVERTED FOREST www.angelfire.com/pa/invertedforest > Before someone mentioned the movie I was talking to one of my co-workers and we were discussing how the new R&J was pretty trashy.. The explosions, guns, transvestites, tatoos, and Prince made me cringe. None of it felt like Shakespeare to me. Also, I read the play and I know that R&J's death scene was different in that silly movie. -Liz Friedman _________________________________________________________ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com