On Tue, 10 Nov 1998, Emily Friedman wrote: > > Changing the subject: A professor of mine is going to teach an > "American > > Lit: 1945 - present" [snip] > > the professor explained to me that Salinger has "been > done to > > death," > Maybe some peoplw feel that Salinger is more juvenile because of > Catcher in the Rye but Catcher in the Rye was one of the most > influential books of that period and I feel that it would be a crime > not to include Salinger in that class. i think that the professor has a point. it would be a crime not to *mention* salinger as an important influence, cultural 'marker' etc, etc. but i'm of the opinion that salinger has, indeed, been done to death. not that his work should be written off, but it's vitally important to constantly come up with new angles of approaching it (as seen will's online tactic, matt's blocking out of the last sentence of bananafish, and so on.). i think that if the professor doesn't have much to say on the subject, lacks enthusiasm, and feels that it's all dreadfully repetpetpetitive, he shouldn't teach salinger. it'd be more beneficial to the students to be taught something with a passion. and presumably, if they're studying english, they'll come accross old jd in other places anyway? as an aside, catcher defintely was one of the most influential books of the period, and should be referenced. but would it be safe for the professor to assume that everyone studying english in college has read it, and instead of *teaching* it, just comment on how it influenced what came afterwards? i'm wondering what our resident english academics think of this. :helena kim helena at netsoc dot tcd dot ie 'the church is near, but the road is icy. the bar is far, but i will walk carefully.' - russian proverb