In a message dated 11/15/99 5:48:10 AM Eastern Standard Time, holden@giasdl01.vsnl.net.in writes: << > "Even now she was no longer that blonde woman > who'd sometimes echoed in the poet's poems, > no longer the broad couch's scent and island, > nor yonder man's possession any longer." > > means? I am specifically asking about the reference to the "broad > couch's scent and island." >> I know nothing about Rilke or that poem, so (by extension) what those lines may mean in any reliable sense. BUT, if I were going to simply look at the image in the way it's been presented -- just an isolated look at the image -- I'd be tempted to look at it in somewhat sexual terms. The verse seems to justify this, "Nor yonder man's possession. . ." and the fact that the woman herself was the subject of the poetry. Now speaking from my experience of women, couches, and sex (and a man's perception of them), I would say the woman has been identified as an "island" on the couch and a "scent" on the couch -- perhaps there's an "island" of her scent on the couch somewhere, and the poet is speaking from a point of view of her absence. Or, that she is "on the couch" at the moment and the poet perceives the woman on the couch as an island of sorts -- something of an isolated, perhaps even private spot to which he is attracted. I guess the people who've read the whole poem need to go from there. Jim