On Fri, Sep 11, 1998 at 08:31:07AM +0000, Scottie Bowman wrote: > but now recognised as a symbol-sunk lead weight. After his suicide, > the remaining vast load of unpublished material was examined, > pruned, slapped about, rejigged & released to an embarassed public > by his family & hangers-on. > > Three tons of junk. Except (I feel obsessively compelled to say 8-) A Moveable Feast, posthumous but splendid. I personally didn't dislike The Old Man and the Sea, though; symbols are in the mind of the reader, I think, and rather than seeing a writer creating SYMBOLS, I saw a writer striving consciously to create archetype. Reading it is like reading prose that has been created as if it were to be instantly mythic, which is how I read that slim novel: Hemingway as Greek tragedian transposed to the middle of the 20th century. One can fault him on that, or for being excessively mannered, but it was an enormous improvement over Across the River, and quite an achievement for a man in the state of diffusion Hemingway had reached at that point in his life. --tim