Camille wrote: > I guess the best writers are the ones who > give the least impression that there's a lot of mechanics going on under > the smooth skin of the story. Salinger's a master at this, when I first > read TCIR I thought it was so wonderfully random; yet now I know how > tightly structured it is in some ways. That, to me, is what makes Salinger my favorite author. He writes as if he's talking to you personally, telling stories off the top of his head. Yet when you read carefully you realize that every sentence, every word, every LETTER has been painstakingly and meticulously chosen for a certain purpose. One of my favorite scenes is in "Zooey" when Mrs. Glass is in the bathroom while Zooey is taking a bath, and every tedious detail of their conversation and movement is given. Page after page, the reader is forced to remain in this painful scene, and although on the surface it appears to be just a mother and son annoying each other, there is this underlying tension that you can't name specifically, but it's definitely there. This scene, to me, is one of the most important in the book, and Salinger writes it as if it's completely irrelevant. That is the genius of JD. I've really been enjoying our lively discussions, but it's nice to get away from all the theorizing and just enjoy the texts. I have a question: I know at least one of the list members is a college professor teaching a class on Salinger, and I'm not sure who. Could you tell me where you're teaching and how you came to teach a Salinger class? That is one of my career aspirations when I graduate (to teach Salinger), but there are no such classes in my area right now. I'm wondering how one would go about petitioning to get a class like that started. --Kari Lomanno (there was nothing "mysterious" about my lack of a signature; I just did not yet know the e-mail protocol!)