I've often wondered about the passage in Seymour: An Introduction where Buddy tells us that Muriel has forbidden him to reprint any of Seymour's poems in his story, although she is allowing him to edit them for subsequent publication. It never really fit in with my idea of Muriel. If anything, it sounds like something her mother would tell her to do, in order to protect her financial interest in the poems. What does everyone else think? Peggy P.S. I've also always thought that it was a handy device Salinger used that allows him to talk them up, so to speak, without having to actually produce these world-class poems. Maybe he didn't trust himself to not disappoint?