J J R wrote: > The talk of Seymour's emotional unstability at the beginning, and the > conversation about Bananafish with the little girl does hint at something > happening. If he had just cut his fingernails at the end, we'd REALLY be > wondering why the hell we bothered to read the story at all :) YES. Like I said before, I think we're underestimating Salinger's skill here to imply that he just went `oh well' and tacked a suicide on the end of it. The story's full of deliberate misleadings and plain old enigmas - because ultimately, if the suicide was explained in a `Seymour looked at Sybil and felt very very guilty' kind of way, it would a) be very boring and anticlimatic b) would deny the fact that *any* suicide is pretty much unexplainable. Not to mention c) He would have had a lot less to write about in the past 30 years (: We're talking about a guy who spends a whole day just deciding which *word* to use here. I don't think he's the kind of guy who'd tack on *anything* - let alone the character who was to become foremost in his pantheon. Camille verona_beach@geocities.com @ THE ARTS HOLE www.geocities.com/Hollywood/Theater/6442 @ THE INVERTED FOREST www.angelfire.com/pa/invertedforest